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Family

Memories of Myself, by Danny Lyon
The Printed Picture, by Richard Benson
In a Window of Prestes Maia 911 Building, by Julio Bittencourt
The Blue Room, by Eugene Richards
The Last Things, by David Moore
French Kiss, by Anders Petersen
The Color of Loss, by Dan Burkholder
Developing Vision & Style, edited by Eddie Ephraums
Northern Expsoures, by Chris Steele-Perkins
Becoming, by Michelle Sank
The Water's Edge, by Michelle Sank
The Old Order and The New: PH Emerson and Photography
Motherland, by Simon Roberts
The Black House, by Colin Jones
A Few Streets, A Few People, by John Comino-James
The British Landscape by John Davies
Unseen UK: A book of photographs by the people at Royal Mail
American Surfaces: Photographs by Stephen Shore
A Different Light, by Richard Heeps
Tumulus, by John Miles
Dan Holdsworth, a Photoworks Monograph
Harry Callahan: The Photographer at Work, by Britt Salvesen
Reflections, by Norman Forster
Golden Gate, Richard Misrach
Family: Photographers Photograph their Families
Scotland’s Coast: A Photographer’s Journey, Joe Cornish
Augustus F Sherman: Ellis Island Portraits 1905–1920
Earthsong, Bernhard Edmaier
Paul Strand: Southwest
Fear This, Anthony Sau
Walker Evans: The Hungry Eye
Many Are Called, Walker Evans
Teenage, Joseph Szabo
The Fat Baby: Stories by Eugene Richards
Homes Fit for Heroes: Photographs by Bill Brandt 1939–43
Tina Modotti & Edward Weston: The Mexico Years, Sarah M Lowe
Time in space: photographs by Chrystel Lebas
René Burri Photographs, Hans-Michael Koetzle
Markings: Sacred Landscapes from the Air, photographs by Marilyn Bridges
Josef Sudek: Poet of Prague, A Photographer’s Life
Consuming the American Landscape, by John Ganis
Landscape: The world’s top photographers and the stories behind their greatest images, by Terry Hope
Aquarium: Photographs by Diane Cook and Len Jenshel
360° Imaging: The photographer’s panoramic virtual reality manual, by Philip Andrews
The Scots: A Photohistory, by Murray MacKinnon and Richard Oram
Twins, photographs by Mary Ellen Mark
Fine Art Photography: Creating Beautiful Images for Sale and Display, by Terry Hope
The Photoshop Book for Digital Photographers, by Scott Kelby
Home Photography: Inspiration on your doorstep, by Andrew Sanderson
The Photographer’s Website Manual, by Philip Andrews
The History of Japanese Photography, by Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryuchi and Takeba Joe
Revelation: Representations of Christ in Photography, by Nissan N Perez
Photoshop for Photography: The Art of Pixel Processing, by Tom Ang
Soma, by Andreas Gefeller
Carlo Mollino Polaroids
Edward Weston: A Legacy, by Jennifer A Watts

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Family matters
Family photographs represent the one occasion when everyone gets hands-on with photography, whether that be in the making or in the viewing thereof. And more often than not we are involved in both. It is a prime reason for buying a camera and using it. Even photographers take family photos; some become acclaimed for it and there are several of these featured here, from Jacques Henri Lartigue to Richard Billingham. For several the family lies at the heart of their practice - the aforementioned, plus Mann, Meatyard, Nixon (not always his own family) and so on - and it is interesting to compare their work with that from photographers better known for genres as diverse as hard hitting documentary, fashion and fine art. The photographers that appear in this book are mostly fairly well known and many are famous, with the exception of steelworker George Albert Newton Smith, father of Graham. Graham Smith, now an acclaimed photographer, rescued his dad’s negatives from the bin after the breakdown of his parents’ marriage, and what for him are childhood memories on the other side of the camera are his contribution to this book. One of Smith Senior’s family photographs has been chosen for the cover (above, Graham centre). Most, but by no means all, of the 56 featured photographers are still alive, which makes a change for a survey of the medium. None the less the selection does range in period from Julia Margaret Cameron to Juergen Teller. The biographies that follow the plates are informative and relate the chosen images to the work of the featured photographer, and they are well worth dipping into even if you are very familiar with the ‘day job’ oeuvre. Not as ambitious in scale nor as formally regimented as
The Family of Man, but probably closer to a true definition, at least so far as photographers’ families go.

Family: Photographers Photograph their Families, edited by Sophie Spencer-Wood, is published by Phaidon, £24.95, ISBN 0-7148-4402-0.

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