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In a Window of Prestes Maia 911 Building

Memories of Myself, by Danny Lyon
The Printed Picture, by Richard Benson
In a Window of Prestes Maia 911 Building, by Julio Bittencourt
The Blue Room, by Eugene Richards
The Last Things, by David Moore
French Kiss, by Anders Petersen
The Color of Loss, by Dan Burkholder
Developing Vision & Style, edited by Eddie Ephraums
Northern Expsoures, by Chris Steele-Perkins
Becoming, by Michelle Sank
The Water's Edge, by Michelle Sank
The Old Order and The New: PH Emerson and Photography
Motherland, by Simon Roberts
The Black House, by Colin Jones
A Few Streets, A Few People, by John Comino-James
The British Landscape by John Davies
Unseen UK: A book of photographs by the people at Royal Mail
American Surfaces: Photographs by Stephen Shore
A Different Light, by Richard Heeps
Tumulus, by John Miles
Dan Holdsworth, a Photoworks Monograph
Harry Callahan: The Photographer at Work, by Britt Salvesen
Reflections, by Norman Forster
Golden Gate, Richard Misrach
Family: Photographers Photograph their Families
Scotland’s Coast: A Photographer’s Journey, Joe Cornish
Augustus F Sherman: Ellis Island Portraits 1905–1920
Earthsong, Bernhard Edmaier
Paul Strand: Southwest
Fear This, Anthony Sau
Walker Evans: The Hungry Eye
Many Are Called, Walker Evans
Teenage, Joseph Szabo
The Fat Baby: Stories by Eugene Richards
Homes Fit for Heroes: Photographs by Bill Brandt 1939–43
Tina Modotti & Edward Weston: The Mexico Years, Sarah M Lowe
Time in space: photographs by Chrystel Lebas
René Burri Photographs, Hans-Michael Koetzle
Markings: Sacred Landscapes from the Air, photographs by Marilyn Bridges
Josef Sudek: Poet of Prague, A Photographer’s Life
Consuming the American Landscape, by John Ganis
Landscape: The world’s top photographers and the stories behind their greatest images, by Terry Hope
Aquarium: Photographs by Diane Cook and Len Jenshel
360° Imaging: The photographer’s panoramic virtual reality manual, by Philip Andrews
The Scots: A Photohistory, by Murray MacKinnon and Richard Oram
Twins, photographs by Mary Ellen Mark
Fine Art Photography: Creating Beautiful Images for Sale and Display, by Terry Hope
The Photoshop Book for Digital Photographers, by Scott Kelby
Home Photography: Inspiration on your doorstep, by Andrew Sanderson
The Photographer’s Website Manual, by Philip Andrews
The History of Japanese Photography, by Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryuchi and Takeba Joe
Revelation: Representations of Christ in Photography, by Nissan N Perez
Photoshop for Photography: The Art of Pixel Processing, by Tom Ang
Soma, by Andreas Gefeller
Carlo Mollino Polaroids
Edward Weston: A Legacy, by Jennifer A Watts

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All I want is a room somewhere
This book is the winner of the Leica Oskar Barnack Award, made each year to photographic books in a range of categories, and was originally published in the photographer’s native Brazil. It centres around what is thought to have been the biggest squat in the world: 911 Prestes Maia, a 22-storey tower block in central S„o Paulo, the largest city in Brazil and the childhood home of photographer Julio Bittencourt. In 2006 the abandoned building was home to an estimated 1630 people including 468 families with 315 children - a mini city within a very big one. In 2002 the ‘Movement for the Homeless’ had moved hundreds of homeless families into the empty building, who in turn made the place habitable, even going as far as providing a library, cinema and workshops. Then out of the blue, in March of 2006, the inhabitants learned they were going to be evicted within a month. Julio Bittencourt has photographed the diverse occupants at their windows, from which they communicate with each other, recording the happiness and dignity in coexistence with decay and neglect. This is a cry for action on behalf of an entire class whose existence is threatened and who some would have gone altogether.

In a Window of Prestes Maia 911 Building, by Julio Bittencourt, is published by Dewi Lewis Publishing at £19.95, ISBN 9781904587675.

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