In addition to beautifully-reproduced portfolios [view] Ag specialises in photographic practice - both practical and aesthetic. Here are examples of what you will find between the covers of Ag
Ag magazine - the finest in photography every quarter!
Photography in practice Photographers write on the motivations that shape practice, what inspires them, what bothers them, and they pass on their experiences of exhibiting, selling and publishing. • Max Kandhola on documenting the passing of his father • Gerry Badger on why photography has become the new painting • The critic David Lee explains why he gave up on photography
Fine printing & processing Expert practitioners reveal the results of their research into film and developer combinations and formulations, and processing techniques, for the creation of the fine photographic print. • Barry Thornton charts his move to digital for fine art printing • Beautiful prints from paper negatives, by Andrew Sanderson • Questions of quality in black & white, by Barry Thornton
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The digital darkroom Although Ag 's ethos is based firmly in silver photography, every issue introduces new technologies that offer the photographer an ever wider set of tools for creative expression. • Scanning pyro negatives for digital output, by Eddie Ephraums • Beginning a series on film and print scanning, by Tim Daly • Michael Maunder explodes myths around digital permanence
Alternative processes New and improved approaches to beautiful and archivally sound techniques for the fine art print, produced both in the darkroom and on the daylight digital desktop. • 31 Studio undertakes the reprinting of Alvin Langdon Coburn's work • Tim Daly explains how to recreate carbon tissue prints in Photoshop • Peter Dazeley chooses platinum printing for his personal work
