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Fear This

Memories of Myself, by Danny Lyon
The Printed Picture, by Richard Benson
In a Window of Prestes Maia 911 Building, by Julio Bittencourt
The Blue Room, by Eugene Richards
The Last Things, by David Moore
French Kiss, by Anders Petersen
The Color of Loss, by Dan Burkholder
Developing Vision & Style, edited by Eddie Ephraums
Northern Expsoures, by Chris Steele-Perkins
Becoming, by Michelle Sank
The Water's Edge, by Michelle Sank
The Old Order and The New: PH Emerson and Photography
Motherland, by Simon Roberts
The Black House, by Colin Jones
A Few Streets, A Few People, by John Comino-James
The British Landscape by John Davies
Unseen UK: A book of photographs by the people at Royal Mail
American Surfaces: Photographs by Stephen Shore
A Different Light, by Richard Heeps
Tumulus, by John Miles
Dan Holdsworth, a Photoworks Monograph
Harry Callahan: The Photographer at Work, by Britt Salvesen
Reflections, by Norman Forster
Golden Gate, Richard Misrach
Family: Photographers Photograph their Families
Scotland’s Coast: A Photographer’s Journey, Joe Cornish
Augustus F Sherman: Ellis Island Portraits 1905–1920
Earthsong, Bernhard Edmaier
Paul Strand: Southwest
Fear This, Anthony Sau
Walker Evans: The Hungry Eye
Many Are Called, Walker Evans
Teenage, Joseph Szabo
The Fat Baby: Stories by Eugene Richards
Homes Fit for Heroes: Photographs by Bill Brandt 1939–43
Tina Modotti & Edward Weston: The Mexico Years, Sarah M Lowe
Time in space: photographs by Chrystel Lebas
René Burri Photographs, Hans-Michael Koetzle
Markings: Sacred Landscapes from the Air, photographs by Marilyn Bridges
Josef Sudek: Poet of Prague, A Photographer’s Life
Consuming the American Landscape, by John Ganis
Landscape: The world’s top photographers and the stories behind their greatest images, by Terry Hope
Aquarium: Photographs by Diane Cook and Len Jenshel
360° Imaging: The photographer’s panoramic virtual reality manual, by Philip Andrews
The Scots: A Photohistory, by Murray MacKinnon and Richard Oram
Twins, photographs by Mary Ellen Mark
Fine Art Photography: Creating Beautiful Images for Sale and Display, by Terry Hope
The Photoshop Book for Digital Photographers, by Scott Kelby
Home Photography: Inspiration on your doorstep, by Andrew Sanderson
The Photographer’s Website Manual, by Philip Andrews
The History of Japanese Photography, by Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryuchi and Takeba Joe
Revelation: Representations of Christ in Photography, by Nissan N Perez
Photoshop for Photography: The Art of Pixel Processing, by Tom Ang
Soma, by Andreas Gefeller
Carlo Mollino Polaroids
Edward Weston: A Legacy, by Jennifer A Watts

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• Wives pray for their husbands stationed in the Gulf at the Enon Chapel Baptist Church, Jacksonville, North Carolina, March 26, 2003.

Truths missing in action
Anthony Sau is an American photographer based in Europe who has documented events affecting the lives of those in Rwanda, Chechnya, Ethiopia and the former Soviet Bloc. His previous books have won several awards and he received a Pulitzer Prize in 1984. Now he has turned his lens on events closer to (his former) home. There is some irony in the fact that the most powerful pictures that have come out of Iraq since the invasion have been snapshots from personnel whose role in the zone had nothing to do photographic reportage. But Sau is not competing with these to get his story across, it is not events in Iraq that he is reporting but another war, of propaganda, being played out on the home front. The wall-to-wall images, principally in black and white, are sequenced chronologically to tell the unwinding story of government spin as war in the Gulf looms, and the developing public response, both pro and anti-war, as events unfold and the body bags begin to arrive home. The few words, by New York Times correspondent Chris Hedges, another Pulitzer winner, add chronology and context; but the pictures tell it all and a very powerful story it is too. Writing on the back cover, P J O’Rourke sums up their effect: “Here are insightful far-sighted sights - the pictures of conflict that aren’t often taken. War is fought on the home front also. Ideas die, opinions get wounded, truths are missing in action. Those of us who support the US policy in Iraq need to take a careful look at our domestic battlefield. So do those who oppose it.” Thoroughly recommended.

Fear This: A Nation at War, photographs by Anthony Sau, published by Aperture, £13.95, ISBN 1 931788 53 7. Distributed in the UK by Thames & Hudson.

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