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Motherland

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The Water's Edge, by Michelle Sank
The Old Order and The New: PH Emerson and Photography
Motherland, by Simon Roberts
The Black House, by Colin Jones
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Dan Holdsworth, a Photoworks Monograph
Harry Callahan: The Photographer at Work, by Britt Salvesen
Reflections, by Norman Forster
Golden Gate, Richard Misrach
Family: Photographers Photograph their Families
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Augustus F Sherman: Ellis Island Portraits 1905–1920
Earthsong, Bernhard Edmaier
Paul Strand: Southwest
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Walker Evans: The Hungry Eye
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Teenage, Joseph Szabo
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Tina Modotti & Edward Weston: The Mexico Years, Sarah M Lowe
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Landscape: The world’s top photographers and the stories behind their greatest images, by Terry Hope
Aquarium: Photographs by Diane Cook and Len Jenshel
360° Imaging: The photographer’s panoramic virtual reality manual, by Philip Andrews
The Scots: A Photohistory, by Murray MacKinnon and Richard Oram
Twins, photographs by Mary Ellen Mark
Fine Art Photography: Creating Beautiful Images for Sale and Display, by Terry Hope
The Photoshop Book for Digital Photographers, by Scott Kelby
Home Photography: Inspiration on your doorstep, by Andrew Sanderson
The Photographer’s Website Manual, by Philip Andrews
The History of Japanese Photography, by Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryuchi and Takeba Joe
Revelation: Representations of Christ in Photography, by Nissan N Perez
Photoshop for Photography: The Art of Pixel Processing, by Tom Ang
Soma, by Andreas Gefeller
Carlo Mollino Polaroids
Edward Weston: A Legacy, by Jennifer A Watts

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From Russia with love
In the afterword to his new book, Motherland, photographer Simon Roberts alludes to the vast scale of Russia in being “the vital region to capture to win the board game Risk.” In July 2004 Roberts set off with his wife (and camera) on a journey that would take them a year and 75,000Km from east to west, recording the landscapes and diverse peoples that make up the biggest country of the world. The distances are great and the ethnicity of the inhabitants contrasting, yet their sense and understanding of the concept of motherland (or rodina) is a pervading theme. In an introduction to the book, Russian literature scholar Rosamund Bartlett provides an interesting context for the photographs with her discussion of the motherland concept within Russian history and by quotation from some of the country's best-known writers. We follow Roberts' journey via more than 150 images as a document of contemporary Russia unfolds through his landscapes and intimate portraits. As his camera moves on from one area to the next, Roberts provides extended captions covering the historical background to the way the people here live today. The work makes a refreshing change from much of the pessimistic documentary we have seen from the former Soviet Union. Roberts' images record the diversity of the country and its people, who through their shared national pride, attachment to place and modest self-esteem make clear that, although for many life remains hard, the Motherland is not the miserable place some would have us believe.

Motherland, by Simon Roberts, is published by Chris Boot at £25, ISBN 1-905712-03-0.

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