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The Blue Room

Memories of Myself, by Danny Lyon
The Printed Picture, by Richard Benson
In a Window of Prestes Maia 911 Building, by Julio Bittencourt
The Blue Room, by Eugene Richards
The Last Things, by David Moore
French Kiss, by Anders Petersen
The Color of Loss, by Dan Burkholder
Developing Vision & Style, edited by Eddie Ephraums
Northern Expsoures, by Chris Steele-Perkins
Becoming, by Michelle Sank
The Water's Edge, by Michelle Sank
The Old Order and The New: PH Emerson and Photography
Motherland, by Simon Roberts
The Black House, by Colin Jones
A Few Streets, A Few People, by John Comino-James
The British Landscape by John Davies
Unseen UK: A book of photographs by the people at Royal Mail
American Surfaces: Photographs by Stephen Shore
A Different Light, by Richard Heeps
Tumulus, by John Miles
Dan Holdsworth, a Photoworks Monograph
Harry Callahan: The Photographer at Work, by Britt Salvesen
Reflections, by Norman Forster
Golden Gate, Richard Misrach
Family: Photographers Photograph their Families
Scotland’s Coast: A Photographer’s Journey, Joe Cornish
Augustus F Sherman: Ellis Island Portraits 1905–1920
Earthsong, Bernhard Edmaier
Paul Strand: Southwest
Fear This, Anthony Sau
Walker Evans: The Hungry Eye
Many Are Called, Walker Evans
Teenage, Joseph Szabo
The Fat Baby: Stories by Eugene Richards
Homes Fit for Heroes: Photographs by Bill Brandt 1939–43
Tina Modotti & Edward Weston: The Mexico Years, Sarah M Lowe
Time in space: photographs by Chrystel Lebas
René Burri Photographs, Hans-Michael Koetzle
Markings: Sacred Landscapes from the Air, photographs by Marilyn Bridges
Josef Sudek: Poet of Prague, A Photographer’s Life
Consuming the American Landscape, by John Ganis
Landscape: The world’s top photographers and the stories behind their greatest images, by Terry Hope
Aquarium: Photographs by Diane Cook and Len Jenshel
360° Imaging: The photographer’s panoramic virtual reality manual, by Philip Andrews
The Scots: A Photohistory, by Murray MacKinnon and Richard Oram
Twins, photographs by Mary Ellen Mark
Fine Art Photography: Creating Beautiful Images for Sale and Display, by Terry Hope
The Photoshop Book for Digital Photographers, by Scott Kelby
Home Photography: Inspiration on your doorstep, by Andrew Sanderson
The Photographer’s Website Manual, by Philip Andrews
The History of Japanese Photography, by Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryuchi and Takeba Joe
Revelation: Representations of Christ in Photography, by Nissan N Perez
Photoshop for Photography: The Art of Pixel Processing, by Tom Ang
Soma, by Andreas Gefeller
Carlo Mollino Polaroids
Edward Weston: A Legacy, by Jennifer A Watts

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Abandoned to the elements
The title of this book, the first in colour from Eugene Richards, means the outdoors. He spent three-and-a-half years travelling the back roads of Nebraska. Arkansas, Wyoming, North and South Dakota, New Mexico, Colorado, Montana and Texas photographing in and around the abandoned homes he came across, and this large format book brings together 78 of the resulting images, not quite one a fortnight. His last book, The Fat Baby, also with Phaidon, featured 15 punchy black and white photo essays, so this new colour work marks a significant departure for Richards, although the subject matter is no less bleak. The images range between the wide open desolate plains, to poignant details of once treasured personal belongings, slowly decaying among the crumbling interiors of the abandoned farmsteads and modest weatherboarded homes. Tumbleweed now shares living space with snow in the once peopled rooms; family snapshots rot, fade and acquire a patina of grubby grit from the sagging ceilings; drapes hang in shreds at the glassless windows. "There were no lit-up houses, only dying ones", as Richards puts it. He writes at the back of the book, remembering many of the locations: each is a ghost story.

The Blue Room, by Eugene Richards, is published by Phaidon at £50, ISBN 978-0-7148-4832-7.

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