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Fine Art Photography

Memories of Myself, by Danny Lyon
The Printed Picture, by Richard Benson
In a Window of Prestes Maia 911 Building, by Julio Bittencourt
The Blue Room, by Eugene Richards
The Last Things, by David Moore
French Kiss, by Anders Petersen
The Color of Loss, by Dan Burkholder
Developing Vision & Style, edited by Eddie Ephraums
Northern Expsoures, by Chris Steele-Perkins
Becoming, by Michelle Sank
The Water's Edge, by Michelle Sank
The Old Order and The New: PH Emerson and Photography
Motherland, by Simon Roberts
The Black House, by Colin Jones
A Few Streets, A Few People, by John Comino-James
The British Landscape by John Davies
Unseen UK: A book of photographs by the people at Royal Mail
American Surfaces: Photographs by Stephen Shore
A Different Light, by Richard Heeps
Tumulus, by John Miles
Dan Holdsworth, a Photoworks Monograph
Harry Callahan: The Photographer at Work, by Britt Salvesen
Reflections, by Norman Forster
Golden Gate, Richard Misrach
Family: Photographers Photograph their Families
Scotland’s Coast: A Photographer’s Journey, Joe Cornish
Augustus F Sherman: Ellis Island Portraits 1905–1920
Earthsong, Bernhard Edmaier
Paul Strand: Southwest
Fear This, Anthony Sau
Walker Evans: The Hungry Eye
Many Are Called, Walker Evans
Teenage, Joseph Szabo
The Fat Baby: Stories by Eugene Richards
Homes Fit for Heroes: Photographs by Bill Brandt 1939–43
Tina Modotti & Edward Weston: The Mexico Years, Sarah M Lowe
Time in space: photographs by Chrystel Lebas
René Burri Photographs, Hans-Michael Koetzle
Markings: Sacred Landscapes from the Air, photographs by Marilyn Bridges
Josef Sudek: Poet of Prague, A Photographer’s Life
Consuming the American Landscape, by John Ganis
Landscape: The world’s top photographers and the stories behind their greatest images, by Terry Hope
Aquarium: Photographs by Diane Cook and Len Jenshel
360° Imaging: The photographer’s panoramic virtual reality manual, by Philip Andrews
The Scots: A Photohistory, by Murray MacKinnon and Richard Oram
Twins, photographs by Mary Ellen Mark
Fine Art Photography: Creating Beautiful Images for Sale and Display, by Terry Hope
The Photoshop Book for Digital Photographers, by Scott Kelby
Home Photography: Inspiration on your doorstep, by Andrew Sanderson
The Photographer’s Website Manual, by Philip Andrews
The History of Japanese Photography, by Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryuchi and Takeba Joe
Revelation: Representations of Christ in Photography, by Nissan N Perez
Photoshop for Photography: The Art of Pixel Processing, by Tom Ang
Soma, by Andreas Gefeller
Carlo Mollino Polaroids
Edward Weston: A Legacy, by Jennifer A Watts

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• Torso, © Allan Jenkins, one of several photographers profiled in Fine Art Photography

The Art Market
The hook is in the subtitle – Creating Beautiful Images for Sale and Display. The latter is very gratifying, the former makes the blood, sweat and tears all seem worthwhile. This book is illustrated by the work of several well-known practitioners, including many whose work has featured in the pages of Ag – John Claridge, Eddie Ephraums, Manuela Höfer, William Ingram, Allan Jenkins, Bruce Rae and Randall Webb among them. It begins by trying to nail down ‘What is fine art photography’ and circumvents the obvious problems surrounding the question by concerning itself with what fine art photography is perceived to be, rather than what it is. And that is fair enough in a book of this type, where the mission is more practical and pragmatic than cerebral. Case studies and profiles of photographers who are successful in selling their work are featured, and media as diverse as postcards and the internet are discussed. This is not a new topic, but prior to this book it has been dealt with as a chapter (or less) in books on the more general theme of making a living out of photography. Given a whole book to cover the ground means the possibilities are pretty thoroughly covered, although there is an impression that it is pictorially padded out somewhat to make the 160 pages. Readers with a realistic chance of selling their work may also find some of the text a bit patronising; in places the tone ‘teaches Grandma to suck eggs’. It may well be that this is because the book aims to be aspirational and assumes no particular level of experience or expertise among its readers: this is as may be, but may be off-putting to more sophisticated readers. An interesting topic, nonetheless, and a book at least worth dipping into.

Fine Art Photography: Creating Beautiful Images for Sale and Display, by Terry Hope, published by RotoVision, £24.99, ISBN 2 880467 24 1.

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